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3.30.2004
 Asking the Right Question 
A new study by two business professors -- The Effect of File Sharing on Record Sales: An Empirical Analysis -- concludes that "downloads [of music] have an effect on sales [of CDs] that is statistically indistinguishable from zero."

The result seems counter-intuitive, since industry data show that the number of units of music shipped fell from 1.161 billion in 1999, the year of Napster, to 798 million in 2003, a drop of 31%. In any event, the music industry has already expressed its skepticism, and will soon have its computers humming, so the debate has just begun.

This does not really seem like the right question, though. Realistically, music distribution must shift away from putting bits on pieces of plastic called CDs and shipping them around the country on trucks, and toward the practice of sending the bits over the Internet. The recent bankruptcy of Tower Records is the writing on the wall.

This transition will require huge investments by many companies to create the infrastructure of online businesses. These investments seem to be happening. In fact, the field may be over-crowded; a recent Wall Street Journal headline said, "Shakeout May Mute Download Services" (March 23, 2004)(subscription required).

So the more important issue concerns not the impact of unauthorized downloading on CD sales, but on legitimate downloading services, ones that reward the artists for their work and that must recoup both these costs and their investment. In both law and good sense, the copyright holders are the ones who get first crack at the new business model.
posted by James DeLong : 3/30/2004 01:47:52 PM

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Home Page
3.30.2004
 Asking the Right Question 
A new study by two business professors -- The Effect of File Sharing on Record Sales: An Empirical Analysis -- concludes that "downloads [of music] have an effect on sales [of CDs] that is statistically indistinguishable from zero."

The result seems counter-intuitive, since industry data show that the number of units of music shipped fell from 1.161 billion in 1999, the year of Napster, to 798 million in 2003, a drop of 31%. In any event, the music industry has already expressed its skepticism, and will soon have its computers humming, so the debate has just begun.

This does not really seem like the right question, though. Realistically, music distribution must shift away from putting bits on pieces of plastic called CDs and shipping them around the country on trucks, and toward the practice of sending the bits over the Internet. The recent bankruptcy of Tower Records is the writing on the wall.

This transition will require huge investments by many companies to create the infrastructure of online businesses. These investments seem to be happening. In fact, the field may be over-crowded; a recent Wall Street Journal headline said, "Shakeout May Mute Download Services" (March 23, 2004)(subscription required).

So the more important issue concerns not the impact of unauthorized downloading on CD sales, but on legitimate downloading services, ones that reward the artists for their work and that must recoup both these costs and their investment. In both law and good sense, the copyright holders are the ones who get first crack at the new business model.
posted by James DeLong : 3/30/2004 01:47:52 PM

This page is powered by Blogger. Isn't yours?

 

IPcentral WebLog
Blog Main
Recent Posts
  Lessig & DeLong Debate
Programmers and Open Source Software
More on the NYT/National Debate copyright controversy
And in This Corner -- Ink vs. Photon
IP as Capital: Yoda Speaks
The Wealth of (Creative) Nations
Computer Games
Et tu, Glenn?
Eldred and Economics
Civility, in an IP debate? Hah!
Archives by Month
  December 2003
January 2004
February 2004
March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
Links
  PFF Blog
Atom.xml Site Feed
   
 
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